This Life
We worry if we amount to anything
–when does a gesture of kindness land,
or a gift, a sacrifice of the heart?
Does its worth equal what the recipient decides,
–or you, what about you?
For my heart is troubled,
empty hands requiring trust
feel vulnerable, ill-equipped to discern
what kind of life is more right than another
but who decides? Who knows?
Torment
I feel it rising in me,
dissatisfaction, anger from
a discontented self
who rejects freedom and
instead chooses torture,
studying how people
offer themselves to the world
while also seeming
to love who they are.
My heart is complicit in it:
hungry to know how
people love themselves and
this life too.
Dusk in Fall
A bird has landed on the kale,
the thick leaves bouncing
like a metal spring at the
playground where my children
played when they were
young, and I like that
a month after moving in
we decided the dining room,
where I sit now, would have
a botanical theme. After all,
we know so little about
the miracle of growing things,
and when we, in the church pew,
were listening to children,
adults now, tell stories
of their mom who died
a month ago, which
was the week we moved in,
I was happy we were
asked to wear bright-colored
clothing at the memorial,
the light in this room
fading and beautiful on the wall.
I Tell Them
My plants have been neglected
though not in the usual way,
for I am diligent in my watering,
providing not too little nor
too much. And the sunlight
usually covers them gently,
kissing arms and necks and
elbows equally although some,
when I forget them outside, are
more fragile, susceptible to
crisply drying out than
others and consequentially
have sunspots on their leaves
when I forget that heat
–this July and August’s recipe for
laughter and music when
lemonade and carwashes
and bare feet feel like
the right things to do–
are too much for some and fine
for others, but
I am less hurried now,
attentive to the plants’ quiet
whispers of need,
what food will enrich their soil,
how much space do they need
(are they too crowded in
their potted homes?) and
I tell them I am back
from my journey of
distraction, though my home
displacement is still deep
within me, and my left
shoulder aches from
the strain of lifting
boxes from the garage
to each new room,
and thank them for their
patience with me,
asking forgiveness, my
impatience for a life of
feeling settled and
rooted in what is good
and soul-nutritious and wild.
Steady Now
I want to hold all you show me
deep inside,
in a memory vault with firm walls and
indefatigable capacity to
never lose people’s stories,
those whose courage to fight
trauma though it hurts them
makes me forget
my struggles for just a bit.
So play them now, these
stories queued one by one so
my resolve only grows
to join the soldiers who
are rooted in Goodness,
fuel for the heart I am
impatient to find.
Making Amends
In the morning of the first day
upon which I decided
it is okay to know only
as much as I know
(that much is fine)
and I need not pretend to
pull words from the sky if
they are not falling
down, available
jewels to wear around the
neck that feel like comfort,
a balm of
goodness on all
the sore places of the ego,
I could let the tiredness come
upon me and receive
it like a friend, a sister
whose home is ready for
hospitality and be gentle
to it, for, I realize, there
is nothing left but kindness
to ease the breaking of
a striving heart.
What We Use
Am I here just thinking of you
empty hands emptied
pen smeared with paint from
when we tried Chèvre then
White Dove on the walls but
I hold onto it tightly now,
tool of excavation to what
is hidden (what you feel, I
know) so let’s go there
all the way
without apology or road map
all the way
all the way
home.
Rewriting
On the floor I found you,
knees pressed toward
hands outstretched,
head down, wondering
if you’d show me what I
didn’t know. And now
where are you? My impatience
taunts me, for memory can’t
show me how
to fall in love with
you again. Break me–
in all the ways I try to
hold together, my voice
untrustworthy,
my song with
no notes to sing. I
know nothing
now, in the beginning,
being created
once again.
Some-thing
I am at the cusp of
figuring out how I feel
these tears near the edge
of something and I wonder
will I investigate their origin
or coat this heart with platitudes,
an untrustworthy balm that never
does the job of making anyone
feel better even here in the corner
of the bagel shop where despite
AirPods pressed to my ears
I can’t help
but hear
the teenagers come to
order sandwiches for lunch and
my emotions, a delicate palette of
angst and peace spitfire ideas–
you are fine, no, you are worried,
no, scared, no, just melancholy and
that is okay, you know, you know
you are okay and
the tears fall on the pages then
this kindness of listening
to loneliness implore
again and again,
hear me.
If My Life Were to Tell You
Say it out now, loud enough so I
can hear it, the way you say my
name, like it is holy, ground worth
walking on, like you enjoy it here,
and I see it, feel it on these stones
beneath my feet, my hands scraping
air like it can hold me up, afraid as I
am of falling, so hear me, this story
I’ve never told, at least not in a way my
self recognizes, in the journey
when you know me, all the false
starts and beautiful inroads (some
might call them lies) that show me
one truth–I want you here, the way
you tell me the truth and make it
palatable, this castle of sand knocked
over with tired feet.
Inscription
Not one place can tell the story
holding me captive here. After all,
this book has pages not yet
read. But I want to believe
they are beautiful ones,
the story-telling beautiful,
the characters (or just me)
captivating and believable to
you so that when you read
it (how I love that you are reading it)
you will know me–your mark upon
these pages making you smile because
the story has been yours all along.
The Battle
The first words are the hardest
finding the will
corralling it
pinning it down in
order
to silence the inner critic
that wants to mute
thought
the miraculous that comes
with surrender,
belief that there is something here
true to discover.
Listen now.
Hear the beating heart,
the connection with the
divine. Can you believe it (with me)?
For you can see me,
can’t you,
hear me listening now
battling the lie that
all is void and there
is nothing
left to say.
The House at 56
She tells me she can see them
the three of them
doing cartwheels on the lawn,
on the patch out front under the window
and hemmed in by a hedge so
if you stood on the sidewalk
you could barely see
their small heads
and I see it too,
the crinkled smiles of something
more specific than childhood,
little hands in the dirt that wrap
around my neck.
Their bright faces mystify me.
I hear their laughter and
I gulp it down like medicine
like air, like memory,
and I wonder what imprints they
will leave on these walls.
I look out this same front window
and realize my heart has memorized
more than I knew,
how time holds all life,
what feels lost is never gone.
February in California
Fog nestles itself against the house
for me to scoop up in my hands
to create an opening
a hallway
a door to run through
open to sunshine’s laughter
all the people in their colored jackets
of blue and red and gold
welcome travelers who come seeking
respite, the quiet place of mirth
where heaven’s lodging
is provided in all weather
the tucked away places
as I perch
on my couch
legs crossed
dog hugging my bare feet
and study orange on still branches
watching gray melt away
in morning sun.
Whereabout
I sit in darkness. The room,
a converted garage where we keep
our bikes on the wall and our desks
kissing each other near the bookshelves,
is still, although the Mountain View train
rumbles through a few miles away around six
and my dog will on occasion moan and then sigh
and lick his lips, his teeth clacking together after he yawns,
and then lick himself until I can’t block out the sound anymore
and demand that he stop but yet it is still, a stretched out
place where I am convinced the world is far away
and I am in some separate place accessible and
inaccessible even to myself and I work to
find clues as to my whereabouts, pulling
out a slice of memory—an uneasy
wrenching of the heart, but
it is really the present that
both haunts and invites,
the past crowding in,
wanting to be included while the current
moments want to stay untouched and unharmed.
And in the pauses of discussion between the two, a staggering
around like two drunken teenagers wanting to have their way, I let the stillness
quiet them, do the work I cannot accomplish on my own and light
a candle, its light flickering in brilliant warm gold while night
blinks open its eyes a bit and dark eases itself
out of the room.
The Kitchen
How can I tell you
the things that happened here
in this space
my body, hips and stomach
leaning, white wood on gray concrete,
for it amazed me
(the way mothers are amazed by
their love,
disarming them completely),
the way she moved
with such happiness,
delight in her small body,
dancing to music we played,
and her ability to climb
up to the kitchen counter
from the stool and press up against
her brothers’ shoulders while
their little hands gripped avocado for a snack.
And now I stand there, both myself and
watching myself
amazed at my capability to love
with an intensity that would surely kill me
except it saves me too
and I am so grateful,
praying with all those years—
help me love better—
that my love wasn’t what
had to be enough
for us all.
Here
How much more meaningful life
will be when
I think
all the things
figure out how to limit my mind from
cavorting in unpleasant places
like your illness and worries
about death
and the piles of receipts
you dutifully collect in a canvas bag
in the basement to shred
but really I want to care more
at the expense of knowing less
not about you but about why
the mattering of even
ideas of things means anything
more than what each one is:
attention fixed on a single moment
where everything holds me here.
Abundance
Let this day be when it begins
and all possibility sings loud and long
a chorus we drape around our shoulders
a balm on our necks
not for medicinal purposes but for
the throwing off of regret
and the crushing weight of time
making all moments what we fear
rather than celebrate,
small jewels in our hands
that grow in abundance when we
open our palms, our fingers
wide and brave,
and set them free to
be beautiful,
existing for what they are and nothing else
we make them to be,
like you,
like me,
as love covers us and we submerge
completely
inside it and never leave,
our jeweled hearts beating that song
you hear now don’t you?
Delicious Meaning
I am desperate to create
beauty-full things
that curve and
swirl in my hands,
note-flinging acrobats
coaxing meaning (how
I long
for a paint-tipped
jewel-tone blue and grass green!)
but I can’t, you see,
unless you show me,
tell it to me like
a story
my eyes and heart can read
and then my mind will hear it
too and my body,
hungry and insatiable as it is,
will consume it readily
like the first meal
and I will want you
more then
in the way
you meant art
to sing.
The Mothers
How can I tell you
the fear of leaving this
landscape both
terrible and kind
when small hands
were pocketed
in our own,
our voices
sang stories
of imaginary bear hunts
and our laps creased
rocking chairs,
soft wisps of air
brushing our cheeks.
The exodus began long ago
before we were ready,
with their car keys in pockets
and backpacks crammed with
devices for learning to leave,
returning but never
to what was.
And together
we push
against the precipice
of beginning
and ending,
leaning wearily
where once
we stood
with confidence,
the map we held
firm in our hands.